Big Mommas: Like Father, Like Son

by Edward Dunn


Big Momma’s House Like Father Like Son
Martin Lawerance
PG-13
100 minutes
Director: John Whitesell

'You're once, twice, three times a lady.'    -Lionel Richie

“Third time's a charm”, is a popular American expression. It is rarely the case in movies. The third installment of The Godfather is nothing less than a complete abortion, comparatively speaking. Who would think that a cinematic gem like, Big Momma’s House, would spawn two further sequels.

I grew up watching Martin play ‘Sheneneh’ on television.  It’s well within the grasp of  Martin Lawrence to at least make the character of ‘Big Momma’ funny. Even if the movie isn’t all that good.

All of that is ancient history. Since the late 1990’s I have been....well I’d say disappointed, but I didn’t really expect him to make good movies. Unimpressed would be a more appropriate term.

I bought my first DVD player in the year 2000. Big Momma’s House was the first DVD that I bought. This is where I learned that superior image quality does not make a movie better. That is why I watched the latest installment of Big Momma’s House on the Internet.

Most bad movies don’t make money, and they don’t make sequels (or squeakquels). The Big Mama’s House travesty trilogy has made hundreds of millions of dollars. They are a few of the worst movies ever made.

A comparable example, The Santa Clause. They made three Santa Clause movies. About eight years ago, I took a long train ride. The Santa Clause 2 was playing on a constant loop. I literally, watched that movie eight times. I know I didn’t have to, but I didn’t really bring a book or anything. You’ll have to forgive me for going off on a tangent there.

The first two Big Momma’s House movies weren’t all that great. So what was I expecting? I was expecting a movie that was so bad, that was good. A film that didn’t take itself too seriously. I wanted a complete farce, with some unintentional satire. A movie as ridiculous as Black Knight. This movie is just plain awful...lly funny. Just kiddingit was terrible.

My bad, I just went on long diatribe there. I forgot to tell you about the movie’s plot. That’s probably because the writers of this movie forgot to include one. This is the absolute worst movie you are going watch in 2011.

Final Verdict: 20 out of 100


PS: I’m sick of watching bad movies. That’s why I’m going to be watching Drive Angry in 3D next.

 


Just Go With It

by Edward Dunn


“Um... okay. How about this: Adam Sandler is like, in love with some girl, but then it turns out that the girl is actually a ...golden retriever, or something.” -Eric Cartman
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Blue Valentine

by Edward Dunn


“I don't want to wait for our lives to be over. Will it be yes or will it be sorry.” -Paula Cole (Dawson’s Creek theme song) Michelle Williams has come a long way since her days of playing ‘bad girl’ Jen Lindley: The girl who seemed to be in a perpetual drunken stupor. It seems like just yesterday I was watching this teen dramedy. Young adults grow up so fast. Blue Valentine follows Cindy (Williams) and Dean (Gosling), a young married couple. The film cuts back and forth between the courtship process and the life they find themselves in just a few years later. This movie is about a relationship that deteriorates slowly over time.
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The Rite

by Edward Dunn


“What the hell did I just watch?” -Edward Dunn Colin (O'Donoghue) grew up without a mother. His father, Istvan (Hauer) runs a funeral home from the house they reside in (similar to the situation in My Girl). Colin is an atheist who wants to be as far away as possible from all the creepiness. Naturally, he decides to become a seminary student. Long story short, Colin ends up in Rome for exorcism training.
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The King's Speech

by Edward Dunn


Dramatic English films of the past few years have been long on acting and short on substance. The Queen is one of the more egregious examples. The British like their monarchy about as much as they like Oasis. Any boring film about the death of Princess Diana is going to get a free pass. I was surprised to find myself so thoroughly engrossed with this film. I would describe The King's Speech as smart, stylish and substantial. The main character's struggle is universal and inspirational. He has an embarrassing problem, one that is hard to come to terms with. Breaking through one of life's obstacles bravely, boldly and head on. One minor flaw with this movie is the characterization of Winston Churchill. It's a little one-dimensional and over the top. All in all, one of the better movies of 2010. Final Verdict: 95 out of 100 (These past few reviews have been on high quality movies. 2010 was a great year for film, significantly better than 2009. That being said, I look forward to reviewing the new Big Mama's House when it comes out.)
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Somewhere

by Edward Dunn


The story is familiar; a man who has everything and gets everything he wants, suddenly he finds his life boring, devoid of love and meaning. Johnny Marco (Dorf) is a well known actor. He drives a Lamborghini and this car symbolizes the bubble he lives in. His day consists of shallow interactions with opportunistic individuals. Drifting through life comfortably. With no real need to get his hands dirty. This guy seems kind of dead inside.
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True Grit

by Edward Dunn


The Coen brothers rarely disappoint; this film is not one of those rare exceptions. The screenplay is based on a Charles Portis novel (True Grit). Mattie Ross, a quick-witted and obstinate 14 year old girl (Steinfeld), hires U.S. Marshal Reuben J. "Rooster" Cogburn (Bridges) to avenge the death of her father. LaBoeuf (Damon) is a bumbling inept Texas ranger. Tom Chaney (Brolin), is the man both Ross and LaBoeuf are after. Ross, Cogburn and LaBoeuf worked together through much of the movie. The Coen brothers did not write this story, but it is no coincidence that this film shares common themes with some of their previous works. “Well, all the time you spend trying to get back what's been took from you, more is going out the door. After a while, you have to try to get a tourniquet on it... You can't stop what's coming. It ain't all waiting on you. That's vanity.” -No Country for Old Men (2007)
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stoplight

by Edward Dunn


I was at the stop light today, I turn on the radio to kube and start bobbing my head like i´m really into the song, in an exaggerated comical fashion. Then this 4 runner full of people pulls right beside me laughing there asses off. I then proceeded to give them a thumbs up. Did they know I was joking? Either way its pretty funny. Perhaps they will realize how ridiculous peoples´ values actually are. A chuckle and an epiphany for them I suppose. This pretentious blog entry is over.

peace
Ed aka
Eazy-e aka
Heineken
7
chester