Get the Gringo

by Edward Dunn


GET THE GRINGO
R
95 Minutes
Director: Adrian Grunberg
Writers: Mel Gibson, Adrian Grunberg, Stacy Perskie
Mel Gibson, Peter Stormare, Dean Norris

Father-Son Moment

Cast
Mel Gibson-Driver
Peter Stormare-Frank
Dean Norris-Bill
Kevin Hernandez-Kid
Dolores Heredia-The Kid's Mom

Once an A-list actor, Mel Gibson has now become a Hollwood outcast. In his prime, he could almost pass for normal...almost. Bigotry, mental instability, alcoholism, delusions of grandeur; have all plagued this actor/philanthropist recently. The liberal media has persecuted Mister Gibson for his beliefs; and now, you could say that's his cross to bare.

The Mel you know and love (1985-95) has come back to life, however briefly, and not for the entire duration of this movie. After some serious soul searching, 'Mad Max' came up with this feature film. Surprisingly, Get the Gringo, is in large part, financed by himself.

After a large bank heist, a career criminal evades police, and escapes into Mexico. Landing himself in a Mexican jail. The jail is more of a ghetto than a jail, with its own local economy. Family members of prisoners come and go as they please. There's rampant corruption; you could buy almost anything you wanted there, except for freedom. This criminal mastermind has no problem circumnavigating this new world. He even knows a little Spanish.

Spoiler Alert: He falls in love with Mexican lady.

An exciting film, just good mindless fun. To use the cliché, this is an action packed, non-stop thrill ride. This 'thrill ride' ends like Splash Mountain at Disneyland, but without the water. I'm referring to the contrived, stupid, non-existent ending.

Lately, I've been teaching myself Spanish. So at the very least, I knew this movie would serve an educational purpose. And for all you students of Spanish, it did serve this purpose, they spoke Spanish and displayed Spanish subtitles.

Get the Gringo will never see the dark of theaters. So I reccomend getting this from a Red Box. When you're over at a friends house, throw the DVD on the coffee table, and say:

What the hell is this doing here?
Really?
I'm embarrassed to even know you.
Still, would be funny if we watched it... all the way through.

Final Verdict: 68 out of 100


The Man Without a Face (Retro)

by Edward Dunn



THE MAN WITHOUT A FACE(1993)

PG-13

115 min

Director: Mel Gibson

Writers: Isabelle Holland (novel), Malcolm MacRury (screenplay)

Mel Gibson, Nick Stahl, Margaret Whitton


Staples of the 90s

Mother's gone too far -- she's put cardboard over her half of the television. We rented THE MAN WITHOUT A FACE -- I didn't even know we had a problem!

-Principal Skinner, THE SIMPSONS, 4F18



Cast

Chuck Norstadt-Nick Stahl

Ted Danson Faceless Man-Mel Gibson

Catherine Palin (Mother)- Margaret Whitton

In the movie world, 1993 was a year of animals, featuring Dinosaurs, a lovable orca whale, and Adolph Hitler. People tend to forget about the less successful, and often less critically acclaimed films. Like DENNIS THE MENACE, and the movie I'm reviewing here.

There is that period between LETHAL WEAPON IIand PAYBACK; where Mel Gibson directed a few movies. As a passionate cinéaste, he wanted to be taken seriously, not just as a mere, distinguished thespian, but as a handsome director.

Before he went craz...ier, he made BRAVEHEART and THE MAN WITHOUT A FACE.

And to answer your question, no this isn't a prequel to FACEOFF(1995).


The Summer After the 'Summer of Love'


Chuck wants to get into a military academy. This is in stark contrast to the social, and intellectual views of his genius family. He failed the admissions test, but he is determined to give it another go. He's hanging out in Maine, with the family at the summer home.

Chuck's father died in a mental institution, but his mom lies to him; saying he died in military combat. The boy needed a strong father figure in his life, and he found one. A former teacher that lives in a large estate on the edge of town: Jack McLeod.

There are differences between the movie and the book it’s based on. In the novel, the teacher may have been a pedophile. Whereas, in the movie he is merely a creepy, disfigured recluse; who meets with a 12-year old every day.

People are going to find out I don't know what I'm doing. I have to direct this film...what am going to do?

-Mel Gibson 2004 DVD Featurette

There are literal, as well as symbolic references to Shakespeare's MERCHANT OF VENICE (1598). Which I find interesting, in light of his more recent anti-Semitic rantings and movies. Contrary to his public behavior, he is not a moron. Surprisingly, he possesses a more nuanced understanding of the themes in Shakespeare's play; I must commend him for that, if nothing else.

Once you get past how ugly Mel Gibson's character is, there is a story, but it’s not very interesting. I mean it, no exaggeration, you can take my words at face value.

Final Verdict: 58 out of 100



Sidenote: reviewing The Avengers next.


The Beaver

by Edward Dunn


THE BEAVER
PG-13
91 minutes
Director: Jodie Foster
Writer: Kyle Killen
Mel Gibson, Jodie Foster, Anton Yelchin, Riley Thomas Stewart, Matt Lauer

The Beaver: As of now, Walter is resigning. And putting me in charge!

In this documentary, we follow Mel Gibson in his day-to-day life. We see him spiral out of control; slowly drifting deeper into insanity. Walking around the house all drunk and depressed, he eventually takes this pity party into a motel room. He fails to commit suicide in his motel room. From here, he starts talking with a puppet, like Mr. Hat on SOUTH PARK this puppet sounds like Michael Caine.

Walter Black: Who are you?
The Beaver: I’m the beaver, Walter. And I’m here to save your damn life.

At this point, I released I was not watching a documentary. This is a fictional movie that Jodie Foster directed. This film was released quietly, with little fanfare. This movie was finished before he allegedly, assaulted his ex-girlfriend, and before those secretly recorded phone conversations.

Walter Black (Gibson) is the president of a toy company. He has a long history of mental health issues. Out of nowhere, he becomes completely debilitated by serious depression. He develops a coping mechanism, communicating with others through use of a puppet.

 



 Merideth (Foster) is his wife.

'I’ve been very patient. But I want you. Not him.'

 

 Porter (Yelkin) is a high school senior. Applied to Brown University, only to turned down. Writes classmates essays for cash. He is in the process of writing a graduation speech for someone else.

 

 

 Henry (Stewart) is five years old.

 

Meredith (Foster) decides to give Walter an ultimatum: it is either your family or the puppet. He chooses the puppet. Later, when he tries destroying the puppet, the puppet cuts off his hand.

Henry: Is dad gone?
Meredith: He’s not gone, honey. We just…agreed that it’s better if we don’t live together anymore.

It is strange, seeing Jodie Foster and Mel Gibson on the same screen. Just think, Jodie Foster wanted Mel Gibson to be in her movie.

Mel Gibson was the only entertaining person in this film, and he was only funny for about 45 minutes. By funny, I mean it in the ironic sense.
 

Final Verdict: 50 out of 100

Sidenote:

This beaver puppet thing has be done before.

At first glance, it sounds like 'Ranger Joe' on Full House.

But that is not the case.

You see, Ranger Joe had a woodchuck (commonly known  as a groundhog), woodchucks and beavers are completely different animals.