Battle Of The Year

BATTLE OF THE YEAR
110 Minutes
PG-13
Director: Benson Lee
Writers: Brin Hill, Chris Parker
Josh Holloway, Josh Peck, Chris Brown

'They're in a class all by themselves. They're the best
at what they do. And not you or anybody
is gonna take that away.'
-Christopher McDonald, BREAKIN' (1984)

Cast
Josh Holloway('Sawyer')...Jason Blake
Laz Alonso...Dante Graham
Josh Peck ...Franklyn
Chris Brown...Rooster'

The director of BATTLE OF THE YEAR, Benson Lee, made the good documentary, PLANET B-BOY, on which this movie is based. But his brilliance doesn’t transcend into the fictional world of break dancing. I think it’s because, with documentaries, well...they're hard to screw up.

From what I gathered, the basic premise is: America invented hip hop, if we don’t have the best B-Boy team in the world, then we might as well have spit on the troops that stormed the beaches in Normandy.

And thus, a coalition of freakishly talented dancers formed into, what some might call: a ‘Dream Team’. This ‘Dream Team’ may not have Michael Jordan, or Magic Johnson, but it does have one of Shawn Kemp’s kids.

‘You call yourself the ‘Dream Team’…more like the Dream Girls.’

Issues With This Film

-There isn't a token white girl, whose rich, unhip, conservative dad disapproves of her street thuggery, and the colored folks she associates with.

-Josh Peck is an assistant coach. I don't know how such an assistant would occupy his time. He's just standing there, with a clipboard and whistle, not offering anything of value to anyone.

-The trailer said this was coming out in January. Everyone knows that's when all the good movies come out. I hate being lied to.

-America's final dance was gimmicky. They did a routine blindfolded. Completely undermining the fundamentals of B-Boying. That should have been grounds for disqualification.

-Their choice of dancing attire seemed unimaginative.

-This is playing in actual movie theaters.

-There not being nearly enough of MTV's 'Sway'.

Things I Did Like

-I didn’t mind the lack of historical inaccuracy. Because it means a predictable film becomes slightly less so.
-Josh Holloway is doing alright for himself.
-The actors portrayal of the real people from the documentary were spot-on. I mean this in appearance (e.i. the sideways Yankee hat), and in overall dooshiness.
- Accurate subtitles for German, French, and Korean spoken language parts.

’For someone like me, this shit is it man. I’m never going to get another shot at this…ever.’

The Movie’s Conclusion: Breakin' Bad

Rooster twisted an ankle in practice, right before the big game. The coach promptly told him to make like Chris Brown and beat it. You can’t do much with crutches, except break your team’s chances of winning. Someone needed to replace rooster. So they brought back the guy kicked off the team for selling crack.

The Americans made it to the world championship. But in the end, the Koreans won. Don’t worry though, everything was on the up-and-up. This wasn’t like Roy Jones Jr getting robbed of the gold in 1988. America came in a less-than-respectable 2nd place. Which is a smart move. All that unfinished business leaves the door open for a sequel.

The strangest moment came toward the end. The coach started talking. He got all teary eyed, and starts talking about losing his family in a car wreck. Oh, that’s why he was drinking out of a flask, and acting like a dick. And the film ends on that note.

All My Complaints Pale In Comparison To This One Thing…

I’ve seen every dance movie, from STEPPIN’ UP to YOU GOT SERVED. I even remeber the part of FORREST GUMP, where he dances with his bloodhound to SWEET HOME ALABAMA. As an expert in dance movie, I can definitely say that this movie lacks Patrick Swayze and Jennifer Gray. And ultimately, that alone, killed it for me.

Final Verdict: 12 out of 100

Rush

RUSH
R
123 Minutes
Director: Ron Howard
Writer: Peter Morgan
Daniel Brühl, Chris Hemsworth, Olivia Wilde

CAST
Daniel Brühl…Niki Lauda
Chris Hemsworth...James Hunt
Olivia Wilde…Suzy Miller
Alexandra Maria Lara…Marlene Lauda

Ron Howard: Why do you think I stopped acting and became a director?
Homer: I don’t know, because you weren’t cute anymore?
THE SIMPSONS, BABF02

A couple of months ago, if you asked me if I wanted to see RUSH. I would have been like, ‘no. no, man, shit, no, man’, I’d start swinging a broken pool cue at your face. And then you would have said, ‘oh, no I’m not talking about the band, its a Formula 1 racing movie’. I’d calm down, and think that it would be a crappy movie, like a POLE POSITION Video game movie.

The movie trailers over-hyped the merits of this film. That is my main issue with RUSH. It’s not bad, it’s about as entertaining as this type of film can be. I would go as far as to say that this is the best Formula 1 racing movie since DRIVEN. Watching this is not a life changing experience, unless you’ve lead a rather uninteresting life.

RUSH, another movie from the guy who gave us COCOON, THE DIVINCI CODE, and black stereotypes.

Hammer Time

James Hunt plays a British playboy-mack. With long, blonde hair, reminiscent of Fabio in his younger days. Before he tangled up with father time.

The Man Without A Face

Daniel Brühl is the conservative, overly-analytical Austrian. One look at him, and you know he’s no fun at parties. Like the Perrier guy in TALLADEGA NIGHTS.

Two competitive guys, in an epic rivalry, on par with Wilson and Kaepernick. The only difference is both of these drivers are very talented. You find yourself rooting for the carefree guy, there isn’t any other option. No one wants a guy with a stick up his ass to win anything.

The soundtrack is kind of what you’d expect. Seventies rock, that really isn’t that bad…I guess. If I were directing this, I would put Elton John’s CIRCLE OF LIFE somewhere, because it just seems appropriate.

Behind the veil of historical accuracy, they created a cigarette ad. When James Hunt wasn’t driving a Marlboro car he was smoking one. To me it’s not a big deal, but it’s a big part of the movie.

I learned many important life lessons from watching this movie

• Some things are more important than winning car race. Like screwing models, and looking good.


• Rush can mean energetic euphoria; or one be in a rush, as in pressed for time.
  


• You can win a race, but there are no real winners in life.


• Don’t intentionally hurt people when you’re driving.


• Live each day like it was your last.


• It’s about the journey not the destination.

The Ultimate Finish Line

James Hunt lived dangerously, without any consideration of the future. In keeping with his life philosophy, I suggest you watch this on your phone while you’re driving and texting. But only do this if you’re in a rush.

Final Verdict: 80 out of 100

The Butler

THE BUTLER
132 Minutes
PG-13
Director: Lee Daniels
Writer: Danny Strong
Oprah Winfrey, Forrest Whitaker, John Cusack

Cast
Forest Whitaker...Cecil Gaines
David Banner...Earl Gaines
Oprah Winfrey...Gloria Gaines
Robin Williams...Dwight D Eisenhower
Lenny Kravitz...John F Kennedy
Cuba Gooding Jr...Carter Wilson
Terrence Howard...Howard
John Cusack...Richard Nixon
Nelsan Ellis...Martin Luther King Jr
Tom Cain...Racist Cop #37

I Don't Want To Sound Racist: An Essay By E. Dunn

Cramming history into a film is possible, like with FORREST GUMP or GAHNDI. But it doesn't feel seamless here. It all just felt like an answer to 2016: OBAMA'S AMERICA.

Robin Williams wasn't too bad as Dwight D-Day Eisenhower, but it felt like he didn't need to be there, perhaps someone else could have played him better. Like Tom Selleck. I know he's only played Eisenhower, the general, but I think he would be a decent president, and I think he could play the part of President Eisenhower better than Eisenhower himself. Because he's dead, and dead guys can't act. Just look a WEEKEND AT BERNIE'S.

I'm not the first to say this, but Cuba Gooding Jr. looks like Terrence Howard. It's funny, until now, I thought Cuba was having a real career renaissance. This was confusing. I couldn't tell who Oprah was having an affair with: black guy #2 from IRON MAN, or the SNOW DOGS actor.

What's the deal with Forrest Whitaker's lazy eye? I'm tired of looking at it. This issue needs to get resolved. We've turned a blind eye for far too long. The most likely solution is inserting a CG-eye in post-production. Another eye-dea: Forest Whitaker gets baked constantly, this way both eyes become lazy.

'I'm sorry I had to fight in the middle of your Black Panther party.' -FORREST GUMP

As opposed to the butler, Cecil's kids actually lead interesting lives. One son died in combat, and the other joined the black panthers. But their stories were largely glossed over.

I like that THE BUTLER wasn't so one-sided. We got to hear what the civil rights people believed, and we got to hear the thoughts of white supremacists as well. As a member of the audience, I was free to draw my own conclusions.

My critique of this film has been harsh. So it may surprise you that I think this movie is okay, in the literal sense that is.  Parts of it were excellent, and as a whole, THE BUTLER is not a complete waste of time, but it's not essential viewing material either.

If you enjoy butlers in Civil Rights movies. I suggest watching CRY FREEDOM. Featuring Geoffrey, the butler from FRESH PRINCE. It's an apartheid movie with Denzel Washington.

Final Verdict: 65 out of 100

License To Drive (Retro)

LICENSE TO DRIVE (1988)
88 Minutes
PG-13
Director: Greg Beeman
Writer: Neil Tolkin
Corey Haim, Corey Feldman, Carol Kane

Cast
Corey Feldman…Dean
Corey Haim…Les Anderson
Carol Kane…Mrs. Anderson
Richard Masur…Mr. Anderson
Heather Graham… Mercedes

Baby you can drive my car
And maybe I’ll love you
-The Beatles, DRIVE MY CAR

Celebrity in Profile: Corey Haim
This is the first of a 12 part series on Corey Haim. First, DEMOLITION HIGH (1996), co-starring Alan Thicke. And second, ME, MYSELF AND I (1989), a day-in-the-life movie, where all he does is practice basketball, hockey, and baseball…while looking awesome.  I’m only kidding, not about those titles, those do actually exist, but I can’t watch 12 Corey Haim films. One will suffice.

1988 was a hell of a year. Rick Astley released TOGETHER FORVER.  Reagan was showing early symptoms of Alzheimer’s in his last year of office. Dukakis had the tank thing.  And I almost forgot: LICENSE TO DRIVE was released. I chose to review this movie, because career-wise, and life-wise, this is when the Coreys reached their peak.

The movie poster looks cool with its Cruisin’ USA graphics, and the sunglasses.  But does it win the race? At the track, it starts out in pole position. As a relatively entertaining,  adolescent fantasy: like being left home alone, or hitchhiking to get to a Super Mario Brothers competition. But on the last stretch of the race, this vehicle plows into a farmer’s market, full of make-a-wish children.

Corey #2 fails his driving test, the only problem is he already told Heather Graham they were going out this weekend. And she’s like the hottest girl at school. His only option is to lie about passing the driving exam. From there, he’ll go joyriding in the family car. All without his folks noticing anything’s amiss. Disregard that she’s only trying to make her ex jealous. Also, I should note that there is no way this Les character will get beyond his one pity date, at least not with the car he has now.
 
I have a soft spot in my heart for a kid like this.  I failed my driving test three times. After the third fail, I don’t know what happened, some say a DOL employee’s heart grew three sizes that day, to that of half of a human, and on my fourth attempt, they gave me that easiest test administrator in the state. I didn’t just pass, I received a 92.

Favorite Scene:
Corey Feldman taking booby Polaroids of a passed out, drunk girl in the back seat of a Cadillac. She’s placed in the trunk, moments later.
 
The film you describe sounds cool. But I don’t want to hear any Billy Ocean songs. What should I do?

After watching the trailer, you may wonder how to avoid hearing Billy Ocean’s GET INTO MY CAR. But don’t fret, just follow my instructions. In the DVD setup menu, hit languages, then hit Spanish. As it turns out, the Spanish dub has a completely different soundtrack. But this will only work if you understand Spanish.

Final Verdict: 15 out of 1000
No, that was a typo. Still, it’s really bad.
Final Verdict: 15 out of 100

Paranoid

PARANOIA
PG-13
104 Minutes
Director: Robert Luketic
Writers: Jason Dean Hall, Barry Levy

Cast
Liam Hemsworth...Adam Cassidy
Gary Oldman...Nicolas Wyatt
Harrison Ford...Jock Goddard
Amber Heard...Emma Jennings

'Someone is always listening.'
-Movie Dialogue

I was going to review FROZEN GROUND, but I'm having a little writer's block with the Nick Cage jokes. So I'm leaving him out of this week's review. Ladies and Gentleman, make note of this historic event, because it's about as rare as a total lunar eclipse: for one week, a film Nick Cage is in isn't the worst thing playing at the box office.

Interview With The Vampire

Nicolas Wyatt blackmails Adam, an employee of his, to infiltrate a rival cell phone company, and steal their secrets. After getting hired by the rival, Adam has a tough time maintaining the professional façade, and I hope I'm not spoiling anything here, but he becomes a little paranoid. Well, more than just a little, like Art Bell-Tin Foil-Hat paranoid.

Ten minutes into the movie, these are my predictions:

• Things don't go as planned.


• Princeton girl will betray him. Those two are fucking.


• Adam's fake new employer is going to double cross him, as well as his real current employer. Nonetheless, Adam will get his revenge on the double crossers.


• The feds will get involved, but we won't know that untill the end.


• They knew everything...the whole time.


• This movie is going to rock.

Most of my predictions were correct:

• Nothing went as planned, everything went horribly wrong.


• That Princeton girl betrayed him. And those two are definitely fucking. They're soul mates, that will end up getting married.


• Adam's employers double crossed him, but he had the last laugh.


• The feds got involved, but it was more toward the middle of the movie.


• Everyone knew everything, the entire time. Adam should have taken some precautions. If I were him, I'd communicate with handwritten notes and carrier pigeons, and I'd have armoured pigeons to prevent anything from being intercepted. Despite being completely predictable, this movie did not rock. I'll elaborate on that in the last couple paragraphs.

What Didn't Rock

Harrison Ford doesn't play bad guys. All of his characters maintain a high level of self-righteous indignation. To avoid confusion, he shaves his head for this role. So we know he's evil. Just look at Lex Luther, Dr. Evil, and Billy Corgan. You know for a fact that all of these men would kill you in your sleep, if you meddled with their plans of world domination.

This film does everything wrong. The only cliché PARANOID avoids is about not dipping your pen in the company ink. There's also unnecessary characters, plot holes, and an overall lack of character development. Also, with a movie this bad, would it be so hard to Michael Bay it up a bit, with some special effects? I don't want it to be so boring that I fall asleep and wake up in the middle the next showing, that's too cruel.

Final Verdict: 15 out of 100

Killing Season

KILLING SEASON
R
91 Minutes
Writer: Evan Daugherty
Director: Mark Steven Johnson
Robert De Niro , John Travolta, Milo Ventimiglia

‘Love is a battlefield.’ -Pat Benatar

CAST
Emil Kavoc…John Travolta
Benjamin Ford…Robert De Niro
Milo Ventimiglia …Chris Ford

Cruising past Redbox, something caught my eye, and piqued my curiosity. A film with John Travolta and Robert De Niro. Mark Steven Johnson, writer of JACK FROST, and director of GHOST RIDER. Creates, yet another masterpiece.

Originally, KILLING SEASON was planned as a prequel to FACE/OFF, set in the 70s. Except for Nick Cage didn’t like the script (baffling, I know). So Robert De Niro filled his place. But, what’s that you say? De Niro doesn’t look like Travolta. This doesn’t sound anything like FACE/OFF. There’s a fix for that. Things get changed to take place in the present and all the characters have different names.

I can just see those alien anthropologists of the future now, uncovering the ruins of the 21st century. They’ll look at the KILLING SEASON DVD. Thinking:

'Travolta and De Niro, this has to be good. We shall watch these titans of motion picture. And after doing so, we’ll have a good idea of what the best of humanity had to offer.'

The plot is simple. Two men, on opposite sides of the Bosnian conflict in the 90s, try to kill each other in the woods. With bows and arrows, in a game of cowboys and idiots. Archery duals can last a long time. Shooting arrows is not as easy as Orlando Bloom made it look in LORD OF THE RINGS.

Travolta is not the worst aspect of this film. He provided most of the comic relief. His accent was awe-inspiring. It’s like he got Bosnian lessons from Yakov Smirnoff. Furthermore, KILLING SEASON is not John Travolta’s worst movie. But I can only say this because he’s’ been in OLD DOGS, and BATTLEFIELD EARTH. I guess it’s like saying THE CHRONICLES OF RIDEDICK isn’t Vin Diesel’ s worst movie.

De Niro can play an Italian, and a knife salesman, but he can’t play a convincing redneck. With Ben, he often forgets to stay in character, randomly switching between his normal voice, and the character’s twangy drawl.

‘How does it feel to be the one being tortured?’

After a long, and pointless battle. Ben and Emil patch things up, not literally, they still need serious medical attention. They make amends, which includes a friendly chat, and a good hug. In the end, Ben and Emil come to understand that the only real enemies they have are in the audience.

Final Verdict: 10 out of 100
Sidenote: The movie is 81 minutes long, the credits last 10 minutes.

Kick-Ass 2

KICK-ASS 2
R
103 Minutes
Director: Jeff Wadlow
Writers: Jeff Wadlow, Mark Millar, John Romita Jr.
Aaron Taylor-Johnson, Chloë Grace Moretz, Christopher Mintz-Plasse

…if you need a motherfucker I ain’t hard to find -Big Syke, I AIN’T HARD TO FIND (2PAC)

Cast
Aaron Taylor-Johnson… Kick-Ass
Chloë Grace Moretz …Hit-Girl
Christopher Mintz-Plasse…The Motherfucker
Augustus Prew…Ass
Jim Carrey… Colonel Stars and Stripes

This KICK-ASS 2 project failed from the very beginning. Because they broke the first rule of movie making: don’t call a movie KICK ASS, without Nicholas Cage. I can’t stress this enough; the man desperately needs the money. Just assign him a part, he’ll stay out of the way. Most of the cast members are adults now, so there won’t be a repeat of KICK ASS (1).

Introducing all the characters is the most lengthy, and tiresome part of super hero movies. There aren’t any new characters in KICK ASS 2. You know what that means? More ass kicking time.

I thought the first one was too violent. But I think fewer people die in this one. But who’s counting? It’s like saying INGLOURIOUS BASTERDSwas more violent than DJANGO UNCHAINED.

This movie is not grounded in reality. In high school, pale, scrawny guys, with glasses never have super hot girlfriends. And people usually feel bad when they kill others.

By far, the Mindy subplot is the most interesting part of the KICK-ASS 2. Mindy ‘The Hit-Girl’ Hart stops being a superhero for good, and becomes a popular cheerleader. But things aren’t what they seem. She becomes a victim of a CARRIE-like assault by her peers. Don’t worry, she shows them a lesson, oh yes, with a contraption that makes people barf and gives them diarrhea.

‘I don’t want to win, I just want to make the world a better place.’

I don’t get why there is a superhero named ‘Ass’. First, the name isn’t very flattering. And second, the name is confusing. Calling him a ‘pompous ass’ wouldn’t be an insult to him, specifically, but it is insulting to anyone else.

There was a Woody Allen-looking guy. I don’t know what his super power was, but I think it involves seducing adopted Chinese daughters.

Jim Carey convincingly played a different kind of guy. ‘Chip Hazard’, from SMALL SOLDIERS. This Colonel Stars and Stripes is crazy. You can see it, there is one specific moment in which he really loses his head.

The funeral scene, that’s where this movie goes from bad, to truly awful. Why did so many people need to be murdered at a funeral? Eventually, the graveyard battle moves to the freeway. It’s funny how this gun battle doesn’t seem to impede traffic in the slightest. This is the point, where I’m thinking that taking my six-year old nephew to see this was a bad idea.

Maybe I’m a little old-fashioned, being shocked by the level of realistic violence. Sometimes, I like gratuitous violence, especially when it’s directed at innocent women and children. But here, there is just a purposelessness to it all that keeps me from being entertained.

So in summary: I can’t accuse anyone of false advertising, many people get their asses kicked in this movie…And there’s a guy named Kick-Ass. So it kind of works on two levels.

Final Verdict: 40 out of 100

Clear History

CLEAR HISTORY
NR
Director: Greg Mottola
Writers: Larry David, Alec Berg, David Mandel, Jeff Schaffe
Jon Hamm, Michael Keaton, Larry David

Cast
Jon Hamm...Will Haney
Kate Hudson...Rhonda
Larry David... Raleigh/Nathan Flahm

Today I'm  reviewing CLEAR HISTORY. It's not what it sounds like. This isn't about a pedophile that unsuccessfully deletes his browser history, during his sixth grade English class.

Will Haney and Nathan Flahm  start out as business partners in the early days of an electric car company. Nathan sells his 10 percent share of the company back to Will, because he thought 'Howard' was a bad name for a car. Unable to deal with being ostracized and humiliated for being that guy that blew a billion dollars. Nathan loses his hair, and gains a new identity, 'Raleigh'.

What follows is an epic revenge on a former business partner. We already know nothing will work out for him. But how bad will things get? If you want a hint, watch the REVENGE episode of SEINFELD. Where George puts a Mickey in his old boss's cocktail.

In case you were wondering, the electric car is named 'Howard', after the college featured in Bill Cosby's show, A DIFFERENT WORLD, and not after William Howard Taft.

'I must right this wrong.'

Jon Hamm was the best part. I thought that was true of SUCKER PUNCH as well. I can't help but notice how he brings a little Don Draper to all his roles. The way John Wayne brings alcoholism to all of his titles.

Michael Keaton, wow, he always was a comedian, it's easy to forget sometimes. It took awhile, but I think he's finally moved past BATMAN and a whole host of other bad films.

Is there enough content for a movie?

Comedically, Larry David is beyond talented. But being funny doesn't make you a good film maker.  They rarely coexist, just look at Martin Lawrence.

CLEAR HISTORY felt like an overly long CURB YOUR ENTHUSIASM EPISODE. While it was funny, it just didn't feel like a movie. Ultimately, I have to judge made for TV movies by a lower standard.  Seeing this at a theater would have disappointed me. Additionally, I must doc points for the CHICAGO soundtrack. For clarification, I'm not talking about the soundtrack to the film, CHICAGO, but rather the musical stylings of THE CHICAGO TRANSIT AUTHORITY.

But on a Saturday night, sitting on a couch, with nothing to do, but write a movie review, I would be pleasantly surprised with what I saw.

Final Verdict: 80 out of 100